Tuesday, November 17, 2015

Adventure 08: Auxerre and the Black Riders: Chapter VI


Chapter VI: The Sorrowful Bride to Be



Claude woke up in daylight to the sound of his captors snapping leg irons and manacles on him. The leg irons allowed him to shuffle about, but not to run while the manacles on his hands were fastened in front of him and attached to a short chain of about six inches in length. His captors were dressed in black armor and wore strange, face covering blackened steel helms. Around him were the ruins of what appeared to be an old abbey.

The black helmed men refused to answer any of Claude’s questions. Instead, they gagged Claude then loaded him into a large black wagon, boxy in shape and closed on all sides including the roof. The only entrance was through a locked door at the rear though small grates on the two sides provided some ventilation. Despite this, the wagon had a fetid odor which seemed to partially emanate from the other four prisoners inside. The other prisoners were manacled and gagged just like Claude and the bed of the wagon was covered with straw – much of which was already filthy.

The others consisted of two men and two women. The nearest woman was young and somewhat pretty with light brown hair, and from her clothes, she looked to be the wife or daughter of a prosperous farmer. She sat weeping quietly. Next to her sat a striking looking woman in her thirties with dark hair, who, from her dress, appeared to be some kind of gentlewoman or even a minor noble. She sat very still and looked like she was in shock. Opposite the younger woman was a young man in the simple, dirty smock of a peasant. He looked frightened and confused. Next to him was an older male peasant who sat tiredly and with a dull, resigned expression on his face.

By straining against his bonds and hanging onto the side grates with his fingers Claude was able to peek out of the grate to catch an occasional glimpse of the passing countryside: fields, a farmhouse, a tree, some hilly and rough spots of countryside. Slowly, Claude realized that he had no idea where he was. Worse yet, he had no idea where his master was. Thinking of his master, he clutched the rosary he had been given by Father Signoret. Briefly he considered dropping it out the grate as a clue, but then decided that it was too valuable to risk being lost.

Instead he ripped a few rags off the hem of his breeches and dropped them out of the wagon at intervals. He also had some small pieces of brown paper in one pocket that had once held some fish heads and other snacks. Slowly he dropped the papers through the grate as well. As he did, he mumbled through his gag something about cleaning out his pockets.

Claude was too frightened to remove his gag, but he did loosen it slightly so he could exchange a few mumbled and encouraging words with his fellow prisoners. Too scared to try conversing with the fancy lady, he directed his comments to the older peasant, asking, “Where are you from, old man?”

Claude learned that the old peasant was named Alphonse and that he lived outside of Auxerre and worked on a vineyard owned by someone he called Master Trebouchard. Alphonse was attacked on a country road at night while he was walking home alone from a local tavern. He didn’t seem to know anything about the black-helmed men nor why he was made a prisoner, but he was resigned and fatalistic about his situation.

“These Black Riders are all in fancy armor and such, well I’spect like them knights of old they’ll be needing us like to do the hard work for ‘em. And I is used to hard work.”

The wagon traveled slowly on. Twice a day the wagon stopped so that the prisoners could be fed—either plain porridge or soup in a wooden bowl. No utensils were provided. The gentlewoman seemed scandalized or something and refused “to eat swill like a pig.” Claude ate his food and hers too and he noticed that despite the lady’s protest, no better food was provided to her.



The next morning, Saturday February the twenty-fifth, Guy and the others questioned Depardieu. When prompted, he admitted he was the agent of Bishop de Lomenie. While he was able to independently confirm some of their observations, he did not advance their knowledge as his inquiry had not proceeded as far as theirs before his capture.

Afterwards, Signoret went to the Town Hall to make contact with the girl, Genevive. His goal was to let Genevive know that help was near and to ensure that she didn’t do anything rash. At the hall, Signoret spoke to the girl’s step-mother, Madame Biatrisona Villelmeti-Benoit, who said that Genevive was “a scatterbrained young woman who didn’t know what was good for her.”

Father Signoret assumed an older manner as he said, “The young are often impulsive. Perhaps if I heard her confession I might be able to reconcile her to God’s will in the matter of her marriage.”

“Oh father, if only you could,” the step-mother replied.

“Why don’t you tell me about the groom?”

Madame Villelmeti-Benoit told the Jesuit that the prospective groom was her brother, Grimoart Villelmeti. Though originally from Languedoc, Villelmeti now lived in a fine mansion outside of Auxerre. In addition to his position as a tax collector in the Auxerre and Autun regions, Villelmeti also ran a profitable transport service that shipped goods, primarily Burgundy wine, by both river barge and wagon. Madame also confirmed that the wedding was scheduled for the next day, Sunday February the twenty-sixth in the Cathedral of Auxerre.

Deciding that Father Signoret was just the man to calm her step-daughter’s nerves and to persuade her to accept the marriage, Madame agreed to take him to see Genevive. She led him upstairs to the low-ceilinged third floor where she unlocked the door to a darkened room, the windows closed by wooden shutters. She told the girl, “I have brought a priest to speak with you and to hear your confession before the wedding. Now don’t give him any of your nonsense!”

As Madame Villelmeti-Benoit departed, she relocked the door behind her. The Jesuit listened and he noticed that Madame’s footsteps did not go away. Just as I thought, that woman is eavesdropping. I’ll have to keep this quiet.

The Jesuit loudly spoke to Genevive suggesting that they pray together before he heard her confession. Then quietly he whispered, “I bring you a message from your friend.” He passed over a note that Etienne Deveraux had written. As she read, she wept silently.

Next, Father Signoret quietly spoke to her about rescue as he examined the room. He noted that the shutters were nailed shut, keeping the room in dimness despite the daylight. Madame had locked the door to the room with what looked to the Jesuit like a standard key which she kept on a large ring of keys.

Genevive complained to the Jesuit that, “My cruel step-mother wants to marry me to her brother the tax gatherer, but he is fat, old, and ugly! Dear Father, I do not want to marry an ugly, old fat man.”

Signoret told her not to despair. “You should write a note to Etienne to let him know that you are safe and that you have not given up hope.”

Genevive readily agreed. She wrote her message on the back of Etienne’s note as she said, “I cannot keep this dear note as my wicked step-mother searches my room daily. So I shall send it back to my dear friend…Etienne Deveraux. And you shall give it to him for me, dear, dear Father Signoret.” She kissed the note before handing it to the Jesuit.

Signoret asked Genevive about the staff and any guards at the Town Hall. He learned that since Noel Meunier Baron de Fressain, the Lieutenant Governor of the Province lived in a mansion outside of town, there were no guards in the Town Hall at night. But that her uncle, Auxerre’s Town Governor, slept in a room on the floor below as did her step-mother. Her father’s three clerks slept on the third floor in the room next to hers.

As Genevive wondered how Etienne and the dear Father would rescue her, she speculated aloud, “Father, perhaps you could officiate at the wedding?”

“My child, I am just a simple priest.”

Genevive kissed the Jesuit on the cheek, “Father, you come from God in answer to my prayers.”

Signoret serenely replied, “I do.”

As Signoret left the Town Hall he reassured Genevive’s step-mother that “Genevive is resigned now to God’s will.” And he quietly accepted Madame Villelmeti-Benoit fervent thanks.

Back at the Blue Bottle Inn, Father Signoret gave Etienne the note from Genevive which he read several times, then he carefully folded the note and placed it inside his doublet, next to his heart. While he did this, the others discussed plans for the rescue. Bertin observed that “The nailed shutters and the third floor location will make the room difficult and noisy to enter from the outside, Monsieurs and people above and next to the room are likely to hear any noise.”

“Then we must make sure they do not hear us,” Guy said as he suggested a plan that he thought might work.

Afterwards, Signoret again argued that they should search for his missing servant, “I promised my father on his deathbed that I would look after Claude. I must find him.” He suggested that they go to the ruined abbey to look for any sign of Claude. The others agreed; so with the Jesuit in the lead, they carefully made their way cross country through a light rain.

At the ruined abbey, Signoret found ash from campfires, rubbish, bits of broken and cast off equipment, piles of horse dung both old and new, and deep wagon ruts that indicated the abbey had been used for months as a way station by the Black Riders. There were signs that as many as twenty men may have camped here at one time with an equal number of horses picketed here. Although there was no sign of tents or huts, the abbey ruins would have provided some shelter. In one corner of the ruins, the searchers found a supply cache of powder, shot, and dried food concealed beneath a flagstone.

Well worn ruts led from the abbey to a nearby farm lane. On the farm road, Signoret spotted a piece of torn cloth lying some distance to the right down the farm road. The cloth was on top of the wheel ruts and it looked like the same begrimed material as Claude’s trousers. As he continued to follow the farm road to the right and out to the main highway, the Jesuit was reassured by the additional pieces of torn cloth and the greasy papers smelling of fish that he found in or on the side of the road. These confirmed that Claude was still alive and the wagon’s direction of travel was south along the main road towards Lyon. By that time the sun had set and the group had to stop and return to Auxerre, but Father Signoret now knew that on horseback they could easily outpace the wagon and catch up with Claude later.

When the group returned to the Blue Bottle, Guy’s valet, Fabré, handed him a glass of good wine and a warm, scented cloth with which to refresh himself. As his master relaxed, Fabré reported that at noon he had delivered a barrel of wine to the town hall for the residents and staff, “with the compliments of the groom-to-be.” And as they had previously planned, the wine was heavily laced with a soporific that Fabré had concocted from the herbs and simples in his apothecary case. Anyone who drank that wine would sleep deeply this night, Guy thought.



They waited to give the residents of the hall time to drink and fall asleep, then they stealthily went to the Town Hall to rescue Genevive. Bertin picked the lock on a side door. Inside, the kitchen staff sat with cups of wine before them, passed out asleep in their seats. Signoret led the way for Bertin and Etienne. From the clerks’ room on the third floor, they could hear the sound of snores as Bertin picked the lock on the chamber where Genevive was imprisoned. Etienne picked up the sleeping girl and carried her out of the Town Hall. Behind him, Bertin carefully used his picks to relock the doors he had opened. Genevive’s disappearance would be a mystery.

With the girl rescued, the group departed Auxerre. Guy went out the main gate with the sleeping Genevive, while the others departed separately from the other town gates so as not to attract suspicion. Outside of town they rejoined then together they set out for Trebouchard Manor.

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Monday, November 16, 2015

Art for RPGs


I talked about werewolves, or loup garou, as they are called in France, in a series of Halloween posts that started here. In that series I included the H+I werewolf stats and an adventure seed based on the adventure I ran. In that adventure I showed the players this picture when they encountered their first real loup garou. 
Appropriately (though somewhat coincidentally) their first encountered with the creature actually did occur as it was  breaking into a woman's inn room. Even though the female NPC was not a sword wielding character, I think the art helped to depict the scene for the players making it seem more real or alive. Good art can do that.

The artist of this piece goes by the handle Artikid. But is also known as Luigi Castellani. He's a freelance artist who has done work for a number of OSR products including BRW games, Sine-Nomine Publishing or Small Niche Games. He did some of the great art for Spears of the Dawn. He recently announced on the RPGSite that he takes commissions.

My B/W art rates usually range from 20$ for quarter pagers or less to 80$ for full pagers. Complexity (or lack of it) of the piece may affect the basic rate.
Color usually costs twice.
At these prices I retain rights and may sell the art again to someone else.
Cover art and selling of rights is subject to negotiation.
I accept payment via paypal.

I've used commission art for a couple of campaigns. My co-GM commissioned head shots, from Dave Cummings, for our crew for the FASA Star Trek game. She also used character art from the previous campaign she had played in (Dave was the GM for the original Star Trek game from which our campaign was a spin out) as some of those characters appeared as NPCs or in the background of our campaign.

For our long-running Star Wars D6 campaign, I commissioned character art from Chris Irvin for my PC, her PC, and my wife's sometime PC/NPC. My avatar on RPGSite is a from one of my PC pictures.

Bren Fairchilde, Young Jedi Knight

Chris was an artist at Michigan State University's Virtual University. Chris was a lot of fun to work with and he did a great job on all the art. One of his more recent projects is Surviving the Zombie Apocalypse. I don't usually include stuff that is totally unrelated to the Early Modern Period or H+I on this blog, but Chris' art is so good I just had to include a few examples.

I find character art very helpful in envisioning characters and just a lot of fun to have in general. So check these guys out!

Here's some more of Chris' art.

Arkel Tevar Tris Lom’zee’tah’Skass Trofar Fas’Tawws


Murlyn Tarrick, X-Wing Pilot and Jedi Padawan

EDIT: I had to go back and recreate all the links for the pictures. Although they showed fine on my screen (natch) they didn't view on a friend of mine's screen. Sigh! I think it is fixed now.
EDIT 2: Fix didn't work. More research requited to get the links to work. Double sigh! 

Sunday, November 15, 2015

Aix-en-Provence




As a followup to the earlier post on Arles, here is the neighboring city of Aix or as it is now known, Aix-en-Provence.

Aix (French: [ɛks]; Provençal Occitan: Ais pronounced [ˈajz]), the capital of Provence, is located in the south of France, about 30 km (19 mi) north of Marseille.

Aix (Aquae Sextiae) was founded by the Romans in 123 BC and became the metropolis of Narbonensis Secunda in the 4th century. It was occupied by the Visigoths in 477, plundered by the Franks and Lombards in the 6th century, occupied by the Saracens in 731, and by Charles Martel in 737. Aix did not reach its zenith until after the 12th century, when, under the houses of Barcelona/Aragon and Anjou, it became an artistic centre and seat of learning. Aix passed to the crown of France with the rest of Provence in 1487, and in 1501 Louis XII established there the parliament of Provence. In the 17th century the town was the seat of the Intendance of Provence.

Geography and climate: Aix-en-Provence is situated in a plain overlooking the Arc, about a mile from the right bank of the river. The city slopes gently from north to south and the Montagne Sainte-Victoire can easily be seen to the east. Aix's position in the south of France gives it a warm, Mediterranean climate. It has an average January temperature of 5 °C (41 °F) and a July average of 22 °C (72 °F). It has an average of 300 days of sunshine and only 91 days of rain. While it is partially protected from the Mistral, Aix does occasionally suffer from the cold gusty conditions it brings.

Churches

  • Cathédrale Saint Saveur – seat of the archbishop of Aix
  • Église Saint Jean Baptiste
  • Chapelle de la Visitation
  • Église de Saint Ésprit
  • Église des Oblats
  • Église de Saint Jean de Malte
  • Les Chartreux
  • Couvent des Cordeliers
  • Couvent des Augustins
  • Couvent des Frères Prêcheurs
  • Couvent de la Miséricorde
  • Couvent des Carmes


Public Places 

  • Hôtel de Ville
  • Palais Comtal – former palace of King René, now seat of the Parlement d’Aix
  • Porte des Augustins – main city gate


Inns, Taverns, and Clubs

  • The Golden Fox
  • The Jeweled Mitre
  • The Sign of the Three Ducks

Routes

  • Route to the Alps
  • Route to Avignon
  • Route to Marseille
  • Route to Toulon
  • Vers Rians

Important People

  • Charles Annibal Fabrot, jurist
  • Étienne de Saint-Méran, abbé de Saint-Méran
  • François de Valbelle Vicar General of Aix
  • Vincent-Anne de Forbin-Maynier, baron d'Oppède

Churches

Cathédrale Saint Saveur

The Cathedral of the Holy Saviour (Aix Cathedral) is seat of the archbishop of Aix. It is situated to the north in the medieval part of Aix. Built on the site of a former Roman forum and an adjacent basilica, it contains a mixture of all styles from the 5th to the 17th century, including a richly decorated portal in the Gothic style with doors elaborately carved in walnut. The interior contains 16th-century tapestries, a 15th-century triptych, depicting King René and his wife on the side panels, as well as a Merovingian baptistery, its Renaissance dome supported by original Roman columns. The archbishop's palace (Palais de l'Archêveché) and a Romanesque cloister adjoin the cathedral on its south side.

Église Saint Jean Baptiste

A new church was built on an old church building designed by architect Laurent Vallon (1652-1724), and built from 1697 to 1702. The building is shaped like a Greek cross.

Chapelle de la Visitation

This chapel is located in the northern part of the whole monastery, built between 1647 and 1652 on plans by Pierre Pavilion. It deliberately departs from the traditional pattern of the order to two floors, in honor among most architects of the Society of Jesus.

Église de Saint Ésprit

In the 18th century, the Hôpital du Saint-Esprit, a hospital of the Order of the Holy Ghost, and several houses were torn down to make way for the construction of a new church designed by architects Laurent Vallon (1652-1724) and Georges Vallon (1688-1767), and built from 1706 to 1728. It was then known as Église Saint-Jérôme, in honour of Jérôme de Grimaldi (1597–1685), who served as Archbishop of Aix from 1655 to 1683.

Église des Oblats

The chapel is on the site of the former convent of the Carmelites (1625). The convent, then outside the walls, was rebuilt in 1695-1701 to plans by Thomas Veyrier. The chapel of the Oblates has an elliptical dome covering the nave Latin cross, without collateral, which accentuates the height effect. Widely illuminated by a skylight and four oval bull’s eye windows. The facade of the Oblates was redesigned by Laurent Vallon in 1697, highlighted by a flight of stairs.

Église de Saint Jean de Malte

This site was initially occupied in the twelfth century by a hospice and chapel of the Knights Hospitaller of the Order of Malta, under the jurisdiction of the priory of Saint-Gilles in Provence. The thirteenth-century church formed part of a priory of the same order situated in olive groves outside the city walls of Aix. From the thirteenth century it served as a burial place for the Counts of Provence. In the seventeenth century it was incorporated within the city of Aix when the ramparts were extended to the south.

Les Chartreux

The large estate of the Carthusian monks, monastic order founded by St. Bruno in the Dauphine in 1633 and installed in the territory of the city, outside the city walls on the way linking Aix-en-Provence to Nice. This district formerly the Madeleine district, owes its present name to the construction of Carthusian monastery from 1633. A first setting Chartreux in Marseille date of 1214. It was located on the plain of slopes Saint Michel, near the Porte Reale. In 1249, they must abandon it and join a building adjoining the convent of Friars Minor. These local, having been demolished in 1523 during the invasion of armies of Charles V and the Constable of Bourbon, there is no question of Marseille Chartreux, until the seventeenth century by which time arrived in our city, delegates from the Certosa Villeneuve Avignons, looking for a clean room for the installation of a new colony. The Carthusian church is certainly one of the oldest of Marseille (1684) and more characteristics. It was consecrated and placed under the patronage of St. Mary Magdalene in 1702.

Couvent des Augustins

Built During The 12th Century, the Couvent des Augustins Was Transformed gradually up to the 17th century. Martin Luther eas one of the most notorious guests of the convent. The founder of the Protestant Reform movement and member of the "Brotherhood of the Augustinians of Erfurt", stayed a long time at the Convent after being Excommunicated by Pope Leo X in 1521.

Couvent des Frères Prêcheurs

In 1363, a fire ravaged the monastery of the Dominican Priors. Under the leadership of Guigonnet Jarente, seigneur de Monclar et de Gémenos, a supporter of the Second House of Anjou, the consuls of Aix asked for reconstruction of the site. In 1691 it was replaced by the church of Sainte-Madeleine.

Couvent de la Miséricorde

Construction began on the Convent of Mercy August 14, 1637.

Couvent des Carmes

The Carmelites settled in this area in 1359.

Public Places

Hôtel de Ville

The Hôtel de Ville looks onto a picturesque square (place de l'Hôtel de Ville). It contains some fine woodwork and tapestries. At its side rises a handsome clock-tower erected in 1510.

Palais Comtal

Former palace of King René, now seat of the Parlement d’Aix

Porte des Augustin


Main city gate

Fountains


Aix is often referred to as the city of a thousand fountains. Among the most notable are the 17th-century Fontaine des Quatre Dauphins (Fountain of the Four Dolphins) in the Quartier Mazarin, designed by Jean-Claude Rambot, and three of the fountains down the central Cours Mirabeau:

Inns, Taverns, and Clubs

The Jeweled Mitre

The Jeweled Mitre is located very near the Palais Comtal in Aix. Established in 1603, the club was founded by members of the chapter of the Cathédrale Saint Saveur.

The club is richly appointed, featuring a valuable collection of furnishings donated by various members over the years. The cooks of the Jeweled Mitre are reputed to be among the best in Aix and the club includes a well-stocked wine cellar – spirits are not served, however. A few gambling tables are located in a small salon and a 150 £ table limit is strictly observed; cheating is dealt with harshly by the archbishop’s diocesan tribunal. An wealthy procuress arranges discreet feminine companionship for members.

The members of the Jeweled Mitre come from the first and second estates of France, including clergy from both Aix and Avignon and the many robe and sword nobles of the provincial capital. A smaller umber of wealthy bourgeoisie and officials of the realm are also welcomed. The members are uniformly Catholic, often with ultramontane sympathies. Club officers are almost always members of the cathedral chapter. Members may wear a small jeweled pin in the shape of a bishop’s mitre.

The governors consist of a premier chef and three chefs du club, with two treasurers and two secretaries. A small number of managers assist with the day-to-day operation of the club. Annual dues are 25 £. Members of the Jeweled Mitre enjoy reciprocal privileges with the Fellows of Saint George in Paris.

The Golden Fox

The Inn of the Golden Fox is located just off of the main square of Aix. The innkeeper is a female dwarf, as in midget, named Margrethe. Her son, also a dwarf, runs errands for the guests.

The Sign of the Three Ducks

Sign of the Three Ducks is in a no-frills tavern in a rough and seedy portion of the old Medieval center of Aix.

Important People

  • Charles Annibal Fabrot, (1580–1659), a French lawywer, was born in Aix
  • Étienne de Saint-Méran, abbé de Saint-Méran: Official of the Diocesan Tribunals for the archdiocese of Aix (SR 9)
  • François de Valbelle; Vicar general of the archdiocese of Aix (SR 8) he has contacts in the church in Marseile to keep tabs on the Bishop of Marseille, François de Loménie.
  • Vincent-Anne de Forbin-Maynier, baron d'Oppède: First president of the Parlement of Aix (SR 10)

Geography

Montagne Sainte-Victoire

To the east of Aix rises the Montagne Sainte-Victoire (1011 m), one of the landmarks of the Pays d'Aix. It is accessible from the centre of Aix by road or on foot, taking the wooded footpath of Escrachou Pevou to the plateau of Bibemus. The village of le Tholonet is on the precipitous southern side of Mont Sainte-Victoire.

To the north, the mountain slopes gently down through woodland to the village of Vauvenargues. The Château of Vauvenargues overlooking the village was formerly occupied the by the Counts of Provence (including René of Anjou) and the Archbishops of Aix before it became the family home of the marquis de Vauvenargues.

Mont Sainte-Victoire has a complex network of paths, leading to the priory and Croix de Provence at the summit and to the Roman viaduct above le Tholonet.


Source: https://en.wikipedia.org/wiki/Aix-en-Provence


Maps

1600 Map 

1570 Map

Note: for those who may be following along with the adventure write ups, Arles and Aix-en-Provence aren't part of those adventures (which occurred back in 2012-2013), but are part of the more recent adventures in 2015. Eventually I should catch up to the current adventures, but it is likely to take a while.